Weston Lambert, originally from Utah and currently living and working in Washington, presents two bodies of work both reflecting the artist’s interest in the transformation of media. In the artist’s large scale installation Lambert plays on the conceit that transforming tempered steel into a show stopping cascade of glass razor blades has rendered them less a danger to others then a danger to themselves in all of their glittering fragility. With his second body of work the artist transforms semi-precious stones and found rocks into very large glass sculptures. By incorporating an original process for laminating the two materials and by cold-working the surfaces of the glass and rock the artist is able to bring his wonderful skill to bear on these objects that seamlessly transform from stone to glass and back again.